Chapter Four: 21st Century and Its Discontents

Wounded Deer and Centaurs, Chapter Four: Twenty-First Century and Its Discontents — The Primal Screen

The Primal Screen: The Doors of Perception Stormed and The Perinatal Rising — A Kaleidoscope of Postmodern Life

The Perinatal Veil: Dangling Above an Abyss and Everyday Rebirthing — The Perinatal Predilections of Everyperson

Dangling Above an Abyss

Beyond the entertainment media, it seems perinatal themes and elements are showing up everywhere else in our surrounding environment and culture. The scenery of our everyday reality consists of pollution of our air, water, and food; threat of death “at any moment,” caused by the knowledge of the power of nuclear weapons; fantasies of apocalypse of all kinds, magnified, perhaps, by the ending of one millennium and the approach of the end of the Mayan calende—including fundamentalist Christian imaginings of an end to human civilization in an apocalyptic “rapture”; New Age fantasies of ecological, spiritual, and social utopias; and so on.

First, let us consider a few of the most blatantly birth-related of the events around us.

The Primal Screen: Aliens … Ooooooooooo … Sca-ry….

Alien abduction stories, while a relatively recent addition to our cultural landscape, are unusual in the rapidity with which they have gained cultural currency and are telling in the extreme fascination the public has with them. They have catapulted more than one show—The X Files being the prime example, of course—to cult-like status. The photo here is a scene after the abduction of Fox Mulder, one of The X-Files main characters.

Fetal Aliens

Yet Alvin Lawson has pointed out how alien abduction stories are replete with perinatal elements: passing through walls, umbilical beams of connection to the “mother ship”—the placenta—either fetal-looking aliens or aliens whose eyes are most prominent and the lower parts of their faces undistinguished—similar to the way a newborn might see an obstetrician wearing a medical mask.

Then of course there are the elements of being medically probed, measured, samples taken from one, and being swooshed from one place to another with no say on one’s part—all remarkably like the experience of a newborn, right out of the womb. [Footnote 1]

Pretty Much

While I do not think that the “alien abduction” phenomenon is just derivative of birth, as Lawson does, I do believe that we perceive these events through a veil of birth trauma, the likes of which the world has never known. My position is explained in the article, “Alien Abductors: Angelic Midwives or Hounds From Hell?“

Mouth Suctioning…”Oh, What Pretty Teeth You Have, My Alien”

An interesting development in the alien face is the “shoved down the throat” thing going on. Similar to the “Jacob’s Ladder” kind of vegetable thrusting out, which was described in the last chapter, it was popularized greatly in the movie, “Alien.”

As a neonate we cannot see the mouths of the masked attendants at our birth. In a traumatic situation, whatever is hidden is more feared than what can be seen. As in anything else, onto the unknown we can project the most magnified versions of our fears. When these images arise in us, then, it makes sense that if the mouth is shown it might be even more frightening than that above the mouth.

So in modern times, for the first time in history, we see something going on where these feelings are symbolized as a ferocious mouth coming out of the mouth. The fact that it appears like something that would gag reveals that this image contains elements of the trauma around ungentle mouth suctioning or clearing as well as the reveal of what might be under the mask of the seeming attacker, the obstetrician. Add lots of teeth and you have the perinatal vagina dentata as well, symbolizing the trauma occurring at birth, when actually emerging from the mother.

The Perinatal Veil: Rock Concerts (For some, ditto)

Lawson has also described perinatal elements in rock concerts. [Footnote 2]

Mosh Wombs

Keep in mind that rock music popularity and concert rituals are world-wide phenomena. Youth from nearly all countries are involved in rock culture. Among other things, Lawson, in his article, refers to placental guitars, umbilical mikes, and youths jumping into mosh pits. Mosh pits suggest birth feelings in that they simulate the crushing in the womb.

At birth our consciousness is filled with the feeling of flesh all around. The world is crushing, heaving, rollicking, bouncing flesh everywhere. During a non-cesarean birth one struggles and moves through this flesh to reach space, air, light…freedom. We re-create this pattern of struggle in order to reach the light, or freedom and space, throughout life. It is obvious that mosh pits are attractive, appealing places to re-create the danger of birth alongside the hope of being “held up,” uplifted, and reborn.

The Doors of Perception…Stormed

We could also mention the loud music, fireworks, and flashing and bright explosions of light at these concerts as perinatal in that they re-create the assault of sensation that occurs to the newly emerged fetus—an assault which in one’s mind is like unto a bomb exploding.

The rock groups and their lyrics themselves are often blatantly perinatal. The most obvious example of this was the group, Nirvana, who came out with a CD titled “In Utero.” The fact that the leader of the group, Kurt Cobain, committed suicide is a strong indication of his closeness and access to his perinatal trauma…as I will soon explain.

Pacifiers, Trolls, and Collective Rebirth

Turning from rock, we see perinatal BPM III elements in the scenery of our everyday lives evident in the rising incidence of violence by children at ever younger ages.

In Europe, as pointed out by Mayr and Boederl, it appears a collective regression to the perinatal is going on, especially among the youth. [Footnote 3]

Collective Navel-Gazing

The forms this “regression” has taken include the surprising popularity of a pop song, sung by a very young child, expressing the difficulties of being a baby; the wearing of baby pacifiers as ornaments as a powerful fashion fad; and being enamored of troll-like dolls, which, according to the authors indicate a “regression to the womb.”

I would say a progression to the womb, by the way….I will soon explain why.

Overpopulation Bring Up in Us Uncomfortable Claustrophobic Feelings From Our Births

We have no-exit, claustrophobic BPM II elements manifesting in the crushing populations in major cities throughout the world. In the later stages of our womb lives, we are increasingly compressed with flesh all around. It is a time of ever more compression, constriction, restriction of movement, suppression of freedom, and suffering, which seems unending. However uncomfortable, we are compelled to manifest similar situations in our later adult lives, as in creating our crowded cities. We then find ourselves triggered into feelings like the ones we had back then.

Though it is irrational to draw suffering to oneself, it makes psychic sense in that consciousness seeks to integrate that which was overwhelming at the time. Think of this as a memory of a dire threat to one’s life that a part of ourselves remembers and tries to remove as a threat to our well-being by drawing it to ourselves repeatedly in life until we have managed to accept it—deal with it, perceive it differently than being a threat—so that we can go beyond it.

For the psyche’s main goal is to grow and heal itself, We see this intention of consciousness manifest in observing the body that Consciousness creates and which we see, which does exactly that growing and healing throughout life. Consciousness seeks, always, greater consciousness. Consciousness seeks unity.

Earlier we looked into how we do that seeking of psychological healing at rock concerts and with their mosh pits, in particular.

So we unconsciously create situations in life that make us feel like we once did but could not deal with at the time. And these feelings of course are uncomfortable…why else could we not deal with them originally? This does not mean that by bringing suffering to us we solve it and accept it. We would not be bringing it repeatedly to us if we successfully got beyond it.

No, we create suffering such as overpopulation because we are NOT dealing with, accepting, resolving, facing the memories that are making us continually manifest situations that should remind us…but don’t. The fact that some people are facing these issues or are on the verge of doing so—those Wounded Deer and Centaurs—is the hopeful message of this work. For this trend is auspicious for solving the biggest problems of all on Earth—those huge environmental and geopolitical woes that are threatening to do us all in. But I digress. Stay tuned, though.

We Manifest the Opposite of Crushing Populations Also — Floating Fantasies and Experiences

BPM I and “Birth” Day Parties

We also manifest the opposite of crushing, claustrophobic feelings for perinatal reasons. Remember that in the early stages of our womb lives, described as BPM I states, we are surrounded by flesh as well but it is not constricting. It is blissful and euphoric. No doubt we create our parties and festivals out of our desires to re-experience such wonderful, comforting feelings. In this situation, one moves freely, with people (flesh) at a comfortable distance. Ideally one wishes to be the “life of the party,” in other words, the reason everyone else is there and the person around which everything else revolves. For such is the case in the early stages of life inside one’s mother, in general. Everything that was going on then around one’s embryonal and fetal selves, biologically speaking for sure, was about oneself; but more: It was about one’s overall happiness and well-being. As they say, It doesn’t get any better than this.

It is understandable that we would create “birth” days and bring people to gather around us at “birth” day parties. Certainly our births were fraught with discomfort and trauma. But we did make it out. And birthdays and their parties are ways we try to remind ourselves that life is not always the discomfort and struggle of birth or the aloneness, separateness immediately after birth—BPM IV—but can be the blissful love surround of unity with one’s mother in the early womb state. We try to cover over the struggles and alienation of life—which we are pushed to unconsciously manifest in our lives because of traumas around the process of coming into the world—with reminders of the most pleasurable time of our lives, our early womb existence—which we intentionally wish to bring about again.

BPM I and Dancing

People go to dance halls to surround themselves with writhing flesh in a way that they themselves can still move freely and well, even acrobatically they’d like to think. We want the freedom of blissful, perfect movement. Perfection and precise movement is sought, along with bliss, for our experience was of a process of biological perfection; precise and perfect beyond anything we would later experience.

It is even better if it defies gravity, as our experience in the womb seemed to. Gymnastics and break dancing are perfect recreations of blissful womb experience. We can move euphorically in three-dimensional space, overcoming the constraints of gravity. This is exactly our experience in early womb life. We both do these activities and are fascinated by others performing them because of early memories of perfection and weightlessness.

BPM I and Weightlessness

Since our early life is felt as weightless, it is also the reason we are enamored of the gravityless experience in space. Not only does our media replay depictions of space walks and astronauts in floating zero-gravity environments, but we are attracted to and seek to re-experience this. I remember a reality show where the participants were rewarded with a weightless experience caused by an aircraft descending from high in the stratosphere at such a speed as to create it.

BPM I and Floating

Plus, we sky-dive. And if we do not, we view with awe and appreciation via the media the videos of the most acrobatic and gravity defying stunts performed in descent by sky-divers. We have created machines where we on the ground can force air up strongly enough so we can experience floating in the air above it similar to sky diving.

I cannot leave the topic of floating without pointing to the most obvious and frequent activity of humans to re-create the weightless experience of BPM I—swimming. Being in water simulates the gravity-free state of our earliest life. It is one of the commonest activities of humans. It is also no coincidence that for a time in the Seventies and Eighties it was popular to try to re-create birth, perinatal experiences by doing warm water “rebirthing” in hot tubs. The water was often made to be body temperature. And, by the way, it did stimulate these early memories in a powerful—though perhaps not optimal—way.

Even our depictions of release from the constraints of physical existence are viewed through this BPM I veil of blissful weightlessnes—whether it is the evangelical Christian idea of “the rapture” or my own depiction of transcendence via a Jacob’s Ladder style of transformation of human consciousness.

The Human Nature That Is Not

Having looked at the the most obvious perinatal propensities of the postmodern person in this chapter, let us go deeper. In the next chapter we look at how imprints from our early life in the womb affect us in many of the currently dire activities we are engaged in, for example, environmental destruction, war, capitalism, and imperialism. We discover that there are prenatal imprints for all these activities, which we normally ascribe to being rooted in our human nature—depicted as one of insatiable acquisition, violence and competitiveness, and desire to control and dominate. The fact that we find that they are in fact not part of our nature but are instead products of some personality forming experiences—however early those experiential events may be—is auspicious in the extreme. In looking at the prenatal blueprints for our self-destructive “human nature,” we learn why we do the things we do and realize we are not doomed to continuing to do them.

Continue with Wounded Deer and Centaurs, Chapter Five: Prenatal Imprints of Our Unnatural Self

Return to Wounded Deer and Centaurs, Chapter Three: Everything You’ve Forgotten About Birth … Projecting the Perinatal Zeitgeist

Footnotes

1. Alvin H. Lawson, “UFO abductions or birth memories?” Fate, 38(3) March 1985, pp. 68-80; and Alvin H. Lawson, “Perinatal imagery in UFO abduction reports.” In T. Verny (ed.): Pre- and Perinatal Psychology: An Introduction. Human Sciences Press, New York, 1987.

2. Alvin H. Lawson, “Placental Guitars, Umbilical Mikes, and the Maternal Rock-Beat: Birth Fantasies and Rock Music Videos.” The Journal of Psychohistory 21 (1994): 335-353.

3. Daniela F. Mayr & Artur R. Boelderl, “The Pacifier Craze: Collective Regression in Europe.” The Journal of Psychohistory 21 (1993): 143-156.